Lesson - How To Begin An Oil Painting
It is very hard for many painters and students to initially
begin making a new painting. Your canvas or panel (depending
what you use) is blank! and this blankness is very
intimidating, especially when you do not have a procedure for
beginning
The thing you are painting is sitting there all complete and
you have to start from scratch - blank canvas.
Yes, the first step usually is the hardest and biggest, and
the first step is - "How do I begin?"
Let us say, for this example, you are painting a
still-life that you have set up.
Maybe some apples in a bowl with flowers in back of them.
And, let's assume all of this is against a background of
dark green cloth. That will be your subject to paint.
You have red apples, colorful flowers, a green background,
maybe on a wooden table. All of these colors and objects that
you see before you, yet, when you turn to look at your painting
surface, it is blank!
How do you begin to put what you see in front of you, on
your canvas or panel? The problem is that you see a finished
product and you are painting on something totally blank.
Well, let me cover first, what should be going on in your
mind. When you have a process, you don't feel overwhelmed and
you can focus on 1 thing at a time. The mind works at it's most
efficient when it is concentrating on 1 thing at a time.
Going on in your mind should be..."What I see before me
will act as a "model" that I can use to reconstruct what I see
before me in terms of paint."
You should not be thinking "I have to make my painting
look exactly like that."
It is important to change your thinking. I must get you to
change your thought process. My instruction always goes
into that...your pre-conceived ideas you have about painting -
as far as techniques, and how you are supposed to paint your
picture is hurting your progress.
Let me ask you something? If you keep going along, with the
same thought processes you currently have when you paint your
pictures, do you expect things to ever change? They won't.
Have you ever seen a fit young amateur golfer try to
drive a golf ball further? They just take a club and swing
harder and harder and they get nowhere. They are lucky if 1 out
of 10 drives is any father than their normal drive.
And then some 65 year old woman comes along who has learned
the proper way to swing a club ( the proper techniques, what to
think about, etc) and she drives the ball 40 yards farther then
the strong young man. And can do it over and over again.
Do you think the young guy will someone magically drive the
gold ball as far as the older woman if he keeps doing what he
is currently doing? Or would it be smarter to learn the
procedures and techniques and thinking processes the older
owman uses?
Ok, back to beginning your painting.
Of course you have prepared your surface properly, haven't
you? This is of the utmost importance! Rembrandt, Rubens,
Titian, Monet, Ingres, Corot, I can go on and on with
names...all prepared their surface correctly. This means, they
prepared their surface so that it would HELP them achieve the
effect they were after...
...And you should do the same to really jumpstart your way
to better techniques and better paintings.
Now, I can't go into exactly how to prepare your surface in
this article, but let me just give as a short example: if you
want your paint to be a little glossy, it would be of advantage
to prepare your surface differently than if you wanted your
paint to dry matte - with a more pastel type of a look.
I hope you have not decided to just buy a canvas from your
local art supply store, rip open the packaging, and begin.
If you have done this, you are only making things SO MUCH
harder for you.
Proper preparation of your painting surface is SO important
I cannot begin to tell you.
If you are painting on a store bought canvas, you might as
well paint on a sponge, it is almost the same effect! Yes this
is how bad these surfaces are to paint on.
Remember, everything we do is done to make the process of
painting easier!
Ok...So the main way to begin is - we must start
with some type of drawing.
This acts as your base or skeleton. It is your foundation
for the paint that will come later. But, this
"drawing" is only a foundation!
You are not painting by numbers. You are not carefully
filling in your lines of a completed drawing. You are making a
foundation for the layers of paint that will follow.
This goes back to changing your thinking. Most people think
- "I will draw in everything carefully and just fill it in" and
then do you know what you get? A colored drawing...
With hard edges, very cold looking, it looks like a paint by
number picture.
Let me show you something...
Here is a close up of a painting of a head.

You can see all of the detail. The eyes, the highlights on
the nose, the patches of reflected light in the eye sockets.
But, this is not at all how this painting looked when it was
started. Would you believe it looked something like the image
you see below?

This is a painting in it's beginning stages. Not much detail
is there?
There are indications of the eyes, and nose, but this is
only put there so I have a foundation to work with. Like the
word says, these are only indications...not final eyes, nose,
mouth etc.
This is the purpose of your "drawing". You can do this
drawing with other materials as well. You do not have to use
paint straight away like I do. I am comfortable using paint, so
I use it. You may be more comfortable using charcoal, pencil or
even india ink.
All are fine. But be sure to "fix" your drawing with
fixative so it does not smudge when you begin to add paint over
it.
What I have just covered is just a very
beginning introduction as to how to begin a painting. But
this is knowledge that you can use for every painting you make
from now on.
Proper preparation of your painting surface - the most
underrated part that not many beginners pay ANY attention
to.
Changing your mindset to not think "drawing", but instead to
think "skeleton", "foundation" or "base". Similar in the way a
house is constructed.
There will be some people that read this article and think
"I already know this" or "You didn't tell me what brush to
use or what paint to use"
If you already know this...are you sure you are actually
doing it?
And as far as telling you which brush to use - that does not
matter if you are not thinking the right way when you begin. If
you want a formula and are looking for information such as,
when you begin you take your number 2 brush and dip into burnt
umber - then my info is not for you.
You can buy a paint by numbers set for that.
If you do not begin your painting properly, you are only
adding to your chances of becoming frustrated and
confused while you go along in the painting process. And
frankly, you do not have much of a chance at making a good
finished painting.
If the foundation of a house is not prepared correctly, is
it more likely the house will be built correctly or that it
will fall over during the building process?
For a complete oil painting system including going into
detail about "How to begin" - in your own home -
check out my home study course -
The Insider Guide to the Secrets of Oil
Painting that will cover the complete process
of begining your painting as well as a step by step system you
can use to paint every picture.
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